By Ali Mustafa
Brazilian political cartoonist Carlos Latuff is no stranger to controversy. His provocative and unapologetically graphic cartoons have been enjoyed, freely reproduced, and inviting debate internationally for years now. To those of us here in Canada, however, Latuff is probably better known over his recent poster design for 'Israeli Apartheid Week' (IAW) which was deemed 'hateful' and subsequently banned by the administrations at the University of Ottawa, Concordia, and numerous other campuses across the country. I had the extreme privilege of meeting and speaking with him, some time before the latest controversy surrounding him and his work, this past summer in Rio de Janeiro, Brazil. We met inside a favela (Brazilian slum) called Nova Holanda on the city's outskirts where I was visiting a local NGO. Abandoning his scheduled plans and taking a bus from downtown Rio to meet with me just one day before I was set to leave back to Canada, the impromptu setting would prove a fitting backdrop to the discussion that followed.
Ali: When did you first become involved in cartoon drawing and when did you begin to see your interest in cartooning as a platform for political activism and commentary?
Carlos Latuff: I started my career in 1989 in a small advertising office in downtown Rio. At the time, I didn't see my art as a tool to bring awareness to people. I thought my art was just a way to make a living and I had dreams of becoming famous and working for the mainstream media. Over time, I realized that in order to reach the mainstream you had to have influential friends. I didn't, so I started to realize that the reality on the ground was different from what I originally had in mind. In 1999, for a lack of opportunity, not for a matter of ideology, I started to work for leftist trade union papers, but always having in my mind that this was only business – a way to get paid and make a living. At that time, I had some leftist leanings, but I could not call myself a leftist.